Sounding like a maniacal alchemist’s theme song from the very opening, you can tell that ‘Toxicity’ is a concoction of the deadliest sorts. Sporting powerful, boss-mode-esque drops that make you feel equal parts dark and springy, you’ll be bounding about while simultaneously feeling wicked. Featuring his tell-tale melodies in the latter drop and impeccable consistent flow throughout, L.U.X. has his fingerprints all over this one in a style that’s truly individualistic and successful. With yet another banger to notch on his belt, L.U.X. adds one more piece to his sonic arsenal, and continues his trend of conquering the dubstep airwaves. Make sure to keep close tabs on his future releases, and check out ‘Toxicity’ for yourself below!

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Persisting with innovative releases, L.U.X is back on Never Say Die: Black Label today with perhaps his most enthralling tune to date. Lurking through the streets of ‘Stab City,’ L.U.X awaits total darkness to pounce on his next unsuspecting victims. As the last signs of dusk start to fade away, tension grows through futuristic melodies and plucks. A brief pause is met by L.U.X unleashing a relentless offering of undercutting stabs, with each punch of bass dealing more damage than the last. The Israeli producer’s signature ominous synths are heard throughout and added jerks of bass penetrate your soul like a serrate blade. For the entirety of the track, L.U.X showcases unparalleled production skills matched with a natural ability to keep your attention with original switches in pace.

Fall victim to L.U.X’s ‘Stab City’ below.

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For a track that utilizes a simple, yet acutely potent lead, ‘Zoom’ presents the ideal canvas for collaboration, providing both an ample structure to work from as well as plenty of room for innovation. The compilation features contributions from Never Say Die veteran Krimer as well as frontrunners in the modern wave of dubstep including Moore Kismet, K-NINE, TRVCY, & L.U.X. to ensure a level of innovation and diversity that can rival the tremendous impact of the original.

“Working on this remix for Spag Heddy was so awesome, as I’ve looked up to him for so many years. ‘Zoom’ was one of the most highly anticipated tracks in all of bass music, so for NSD and 24-8 to have given me this opportunity is literally so awesome and seems like a full-circle moment for my career,” Adelanto-based Moore Kismet shares regarding the magnitude of the opportunity. “I wanted to stay as true to the original as I could but I also got my own route with it, and I think I did a pretty damn good job of that!”

Encompassing numerous subgenres within the bass music arena, each remix within the compilation assumes the challenge of finding creative symmetry. Working to utilize aspects of the original, while preserving aspects of authenticity within their own style. “In all honesty, I’m still in shock over the remix, opportunities like this come rarely. With so much excitement and ambition, I re-wrote the record to resemble “K-NINE,” the outcome was this darker heavy version of ‘Zoom’ and I couldn’t be happier.”

Be sure to check out Moore Kismet and K-NINE’s take on a Spag Heddy classic, as well as the full ‘Zoom’ Remix EP out now via Never Say Die Records!

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Building on the momentum he has gained over the last few months, L.U.X pulls out on the stops in his latest project, staying true to the heavy sound he has become known for while unleashing a new versatility that only puts him further ahead of his competition. Through eclectic sound design and gut-wrenching bass, L.U.X’s Delta EP is sure to be rinsed by all of your favourite dubstep producers.

With the recent release of the Delta EP and an ever-growing touring schedule, we decided to catch up with the talented artist to talk everything from inspirations, to the music scene in Israel, to the advancements of technology and more. Don’t miss the full project and interview below!

How are you doing recently? What currently inspires you and drives you on a daily basis?

I’m doing great. I’ve been heavily inspired recently from just how much great music is being pumped all the time and I admire those who constantly innovate and kill it with awesome tunes! Totally drives me to make the tunes I make today.

Who were your early inspirations to create heavy music? How do you think those inspirations influence your sound today?

I find that there is a very close resemblance between heavy dubstep to metal, at least that’s how I treat it. That by itself opens a whole new world for me to get inspired from!

I feel like myself and countless non-US artists work towards being the best, to just have some form of relevancy over there.

What is the scene like in Israel? Do you think living outside of North America’s bass hub has pushed you to become an even better producer?

The scene in Israel was once thriving, and promoters had many huge artists over (around 2011/2012). However, since then it has completely died out. Last year, two buddies of mine created “Basscamp” and they basically brought the scene back to life. Pretty freaking dope!

Living outside of North America is an unforgiving challenge to any artist, especially in our scene. I feel like myself and countless non-US artists work towards being the best, to just have some form of relevancy over there.

You recently tweeted “It’s mad thinking about how technology continues advancing and things that we never even thought could exist a few years ago are literally all around us.” Where did this idea stem from?

Really, the only reason it came up was because I searched some stuff regarding sound waves and how our ears react to sounds in general. I then noticed I am reading stuff that has been researched for decades from a cellular device. Wild!

On a similar note, do you FUX with AI? Are you more scared or excited about it being implemented in society?

I think technology, AI and all that is extremely dope and could benefit many people who might need it. Perhaps the world seems doomed at times, but people are working hard to make it better and I completely believe in the power of science and technology.

Let’s talk about ‘Another Day’ and its VIP. What drove you to pursue a completely different sound/genre/style in the VIP? Have you ever done anything similar to this in the past? Do you hope to continue in the future?

I have done these metal VIP’s in the past and it’s something I just gotta get done from time to time for my soul lol. Obviously, it won’t be as successful as my other tunes but it makes me happy having it out regardless. More tunes in your portfolio could never hurt :)

Congrats on the new Delta EP! How long has it been in the works? What were some of the biggest challenges in the execution of this project?

Delta EP has been in the works for quite some time as the title track ‘Delta’ has been done for 7 months prior to its release! I’m really stoked about Black Label letting me experiment and create sounds that aren’t so normal on such a big release.

A huge challenge was to bring all these weird tunes together, and I think I was able to achieve that. For example, ‘Essence’ has 3 completely different versions!

When I can’t play shows and satisfy the ‘live’ side of this musical journey yet, I should at least be able to satisfy my fans with the best music I can create!

In what way did you want Delta to be different from Death Grip?

Delta EP is more diverse and is more of a showcase of what I can do. For me, it’s important to show what I’m able to achieve as I want more crowds from afar to fuck with me and my vision. When I can’t play shows and satisfy the ‘live’ side of this musical journey yet, I should at least be able to satisfy my fans with the best music I can create!

Finally, what are you most excited about for the rest of the year?

I’m excited about plenty of things… WHICH I cannot speak of yet. Just be sure to follow me if you fuck with me, cuz I got tons planned for you guys :)

The post L.U.X Talks Inspirations, Israeli Music Scene, Technology, ‘Delta’ EP + More [Interview] appeared first on FUXWITHIT.

Weaving components of mystery into his latest release, ‘Fate’ builds upon a sinister introduction, lingering eerily as an ensemble of drums and horns enter the scene. The intensity of the horns escalates as a grim vocal sample unleashes catastrophic surges of uncompromising bass and palpitating synths.

Propelled by a breakaway year of impeccable releases and rampant technical growth, L.U.X looks to capitalize on that impetus in 2019, kicking things into high gear with a heavy hitting Never Say Die Black Label release. Strap in tight as you prepare for his latest and be sure to grab the free download of ‘Fate’ here.

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