‘FAYA’ begins with an ambient atmosphere that quickly pulls you in like quicksand as Pirana and Kazu add a cheeky vocal sample to really build the track. At the drop, Pirana and Kazu release an absolutely impeccable flow of plucks, basses, and drums where you can’t help but start bouncing. Pirana’s bounce style that I mentioned earlier is truly on display here, giving the track so much energy it’s difficult to contain. The second drop on ‘FAYA’ throws you back to the earlier glory days of trap, featuring massive, gliding horns and thick 808’s that almost knock you out of your seat. ‘FAYA’ is a testament to the growth of the trap genre and what made it great, and Pirana and Kazu managed to combine their styles flawlessly.

Check out Pirana & Kazu’s ‘FAYA’ below.

The post Pirana & Kazu Release Nothing But ‘FAYA’ appeared first on FUXWITHIT.

that boi retro! with his classic hip-hop patterns, MCTR diving into ancient culture with his melodies, and Keeth shedding a new light with sophisticated arrangements. These powerful entities have no limit and continue to push the unknown to their audience. And putting these legends together only results in the highest quality for the trap music genre.

‘Money Out Of Fame’ is a mischievous and whimsical work of art. It takes each artist’s highly developed techniques and puts them to the true test. From impactful drums, intoxicating grooves and spacious melodies to glue it all together, you can hear how much fun they had creating this heater. Every section honors their musical bond and styles being fused into one monster of a track.

Nothing feels rushed or overdone. Nothing but smooth and suave qualities to take over your soul with every listen. Finding yourself addicted to their highly acclaimed ambitions and passions for music altogether. No matter where you are, you’ll immediately find yourself being sucked in into a brand new realm with this instant classic. So make sure to go support them all by streaming ‘Money Out Of Fame’ everywhere via Trap Party!

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With luring exotic vocal bends and a hauntingly stunning atmosphere, the introduction pulls you in deeper with each beat. The first drop is pure bounce combining elements of beauty with a beastly knock to get your head nodding. A brief reprise acts like a long deep breath on a crisp Spring morning. As you exhale the trap horns hit and truly bring you into the ‘Warzone.’ Bolstering brass will have your heart racing, your blood pumping and your trap arms throwing at full steam. Captivating, enthralling, and banging, ‘Warzone’ is a powerful statement from Murdbrain.

Stream the track below.

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‘Walk On The Bogo’ begins with smooth, rising synths, and majestic vocals that carry you into a snare build. When the track drops, L*o*J unleash a massive, static bass that slams against your speakers, only given a brief respite when fills comes into play. The second drop in ‘Walk On The Bogo’ takes the bass from the first drop, and accentuates it to 11, making us feel like we’re not walking on the bogo, we’re diving off the end. Gotta give L*o*J mad props here for their clever use of fills; the wrong number phone dial, and the scary movie sound effect work so well in this track. The last half of ‘Walk On The Bogo’ sees L*o*J switch up the flow and adding some plucks to make a bouncy finish to the track.

Check out ‘Walk On The Bogo’ below.

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‘DURO’ is a wild ride. From a tasteful 808, to elements swarming around your mind, it’s a song many will appreciate and adore. Pep came in swinging every second. There’s never a dull moment. Only the exciting and inspirational sensation thanks to his creative thinking. From beginning to end, you’ll have an endless smile on your face. Incorporating a distorted vocal within the drops really compliments his other elements, making them work together as one.

Pep Starling is a powerful soul. His process when creating art is full of passion and energy. Who knows what he’ll create next. Go support him by streaming ‘DURO’ below.

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‘SIGNAL’ contains everything you know and love within a deadly trap song. Right away, he shares an ominous and satisfying atmospheric introduction. Then, he wastes no time by introducing himself with a heavy drum pattern. Knocking the listener into another dimension of sound and frequency. He also includes a hypnotic rhythm the audience will enjoy and dance to. The way his 808s slide and move in harmony keeps the song fresh and moving every second. We can even hear a light and airy percussion style lead. Playing a catchy melody to add to the overall feel of the track. And the second drop is no joke. Incorporating a gritty and mean bass line takes the listener’s breath away. His use of variety within sound design and arrangement is astonishing. It all comes together to form a delicious sound dessert. The song ends off on a high and mysterious note. Making the audience want more.

‘SIGNAL’ is a funky and deadly track. From the sound design, to the drums, this is a song you’ll want to hear live. NØCTRIS came in swinging to show everyone what he’s made of. We’re excited to see and hear what he brings next in the future. Make sure to go support by streaming the new single on SoundCloud, Spotify and more.

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We are excited to now come back around and witness the next project come to fruition in this Trap Party Album. Hosting an array of artists on the rise and in a caliber of their own, this is by far one of the best portrayals of raw underground trap and what it has to offer. With a total of 11 tracks, each one brings it’s own representation and energy to the project. With producers such as LAF, bd hbt, episcool and more, each of these artists have been followed closely by us and are considered FUXWITHIT favorites; containing names such as these should be enough to peak any avid SoundCloud listeners interest. A few standout tracks, as hard as it was to pick, would have to be ‘Scrub’ by Sliipow, ‘Banging Bangers’ by Dabow and yojas. ‘sweat’.

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The duo Sliipow takes on an ominous intro approach before juggling vocal samples across a gritty bass line that encompasses what trap is. ‘Scrub’ is quick to raise the momentum of the track as it builds on itself and tosses percussion arrangements between octaves, which in return keeps listeners interested. These guys have steadily been on our radar and have mentioned an album in the works. Sliipow has seen success through the likes of Quality Goods Records, Below The Surface and now Trap Party to make their claim among the up and coming artists that you should be paying close attention to.

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If you know FUXWITHIT, you know our undeniable love for the Argentinian trap master mind that is Dabow. To see his name included in this compilation only felt natural. With the previous release of Shoot The Arrow vol. 1, he has began releasing some of the ID’s heard within. ‘Banging Bangers’ is a high energy and hard-hitting trap anthem. This is one of those tracks that smash a dance floor after a brief cool down. The bridge slows things back down allowing you to catch your breath before coming back in just as strong as the first drop. The stamina and drive presented by Dabow is undeniable and we look forward to following Dabow’s journey further into the year.

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Continuing with the FUX favorites, yojas. is a keen innovator of the trap scene. The way he is able to merge sound design and distinctive structure allows his tracks to come to life. ‘sweat’ is no exception to this as the design is absolutely demented. It is the culmination of the amount of work he has been putting in as he continues to see steady support from key platforms of the scene as well as a steady stream of solo releases. The discipline and determination doesn’t go unnoticed and it is always and instant listen when there is a new yojas. track.

With more focus on the label aspect of Trap Party we can only hope to see a continuation of projects and more. As I have been eagerly waiting for this album to drop, it was well worth the wait and delivered much more than I expected. As a true staple to the underground and trap scene I hope this reaches ears who have yet to discover these artists. Kick back and enjoy the full release below.

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‘Iron Giant’ opens with soundbites that both create an air of mystery, and quicken your pulse, using military-esque speak that has a grainy radio effect, reminiscent of any good monster movie. Once you’re firmly aware that something massive is coming, the stage is set for your ears to be whisked away by an absolutely relentless drop. When the monster finally shows itself in its true form, it’s game over, as the immense sound design and the punishing switch-ups will leave your city in rubble and your consciousness fried like an egg. With the second drop being an even bigger fest of crunchiness, you’ll be doing your best impression of a squid, limbs wildly wiggling all about.

If ‘Iron Giant’ is any indication of what bd hbt has coming for us all next, we’re in for a collective treat, as his growth from last year to now is easily heard, with both his sounds and his creativity being turned up to 11. For fans of all things trap, he should be a no-brainer for acts you’ll readily pay to see in your city, and immediately click on their tracks in your SoundCloud feed. The rest of 2020 is blindingly bright, but for now check out ‘Iron Giant‘ in all its glory for yourself below!

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The main question that arises is how does an artist with great music but little followers have their music heard by the masses? Key players in alleviating this burden from artists are intermediate platforms that host music from up-and-coming talents on their established platforms. Trap Party is a YouTube channel-turned-record label that began in the early days of trap music with this exact goal in mind. In an era where it seems as though every platform is saturated with outlets for new music, we wanted to know more about what it takes to start such a platform, gain traction and become a leader in the scene. Check out our interview with the founder of Trap Party, Cristian Tugui, below to gain some key insights about becoming such a prominent force within the industry.

Let’s start from the beginning. What motivated you to start a YouTube channel centred around trap music back in 2013?

Ever since I was a kid, I was a big fan of EDM music, and especially house music. I used to listen to it everyday while driving with my family or just listening by myself in my room. So since I was a big fan of EDM music as a kid, it didn’t take much for me to fall in love with trap music, I really enjoyed the new style of EDM. Trap music was something new back in the day and there were not many YouTube channels that uploaded good content. So I decided to open my own channel and start uploading the content that I enjoyed that other channels didn’t upload. That’s how Trap Party was born and started gaining traction.

…there was no competition back in the day. I think I was the 4th trap YouTube channel, so a couple channels compared to thousands of channels nowadays.

How were the early days of the page? Did it blow up instantly or was it a slow process?

The early days were hard in terms of getting the channel out in front of people’s eyes and especially growing fanbase, but at the same time it was a fast process of growing because there was no competition back in the day. I think I was the 4th trap YouTube channel, so a couple channels compared to thousands of channels nowadays.

What tips would you give to someone trying to start a music-oriented YouTube channel? Is there one specific thing you wish you knew from the beginning?

If you are new to YouTube and especially the music industry, first of all do a good check on the song, check if it is released under a record label, and if so make sure to contact the label for permission to upload the content. If it is not under a label I would recommend trying to reach out to the artist, but be patient as it can take time to hear back from either the record label or the artist.

I would suggest start uploading smaller artists content in order to build a fanbase and slowly make your way up to bigger artists. They want to see that your channel is doing good and to approve the upload. It is hard to get upload approval when your channel has only a few videos live.

What led you to create spin-offs of the original Trap Party channel such as Chill Party, Bass Party, etc.?

As Trap Party was growing everyday, I came up with the decision to open a couple sister and brother channels to help promote other genres of music, that being rap, chill, bass, and house music. If you check our channels out you will notice that the majority of our uploads are from underground artists that we are trying to help to get heard outside of SoundCloud and other streaming platforms.

As of right now I am a one person running it all by myself, it gets hard at times but it’s good to always stay busy and stay on top of your brand.

Life must have gotten quite hectic as the channel grew to 1M subscribers and beyond. Do you have a team working with you? If so, when did you decide that you needed more people to grow the platform?

Since the channel reached over 100K subscribers I would say it’s gotten busy as submissions come in everyday, non-stop, as well as artists or labels reaching out for promo. As of right now I am a one person running it all by myself, it gets hard at times but it’s good to always stay busy and stay on top of your brand.

Soon I will start looking into growing the team to help achieve more goals.

How did you balance this rapid growth with staying true to the original vision of the Trap Party brand? What is the hardest part about retaining your original integrity?

When the channel started to grow rapidly it is important to keep an eye on your channel analytics and pay attention to what made the channel grow fast, what videos did well and what videos did amazing. We noticed that specific artists were getting more traffic and interest than others so we tried to upload more content from those artists to keep the channel growing as well as still upload other artists and mixes on the channel.

Sometimes it does get hard to stay in a straight line with the brand, but there are no rules really so it is good sometimes to jump from one side of the line to another just to experiment and try new things out and see how it will perform.

When did you decide to launch the Trap Party record label? What was the motivation behind this move?

The Trap Party record label started about 2 years ago but it was not as active as it is right now. I used to release maybe 1 track per month if so, but for the past 6-8 months I focused more on the label and started releasing between 2-6 tracks per month. The reason behind it is that Trap Party is mainly known for the YouTube channel and for the support we offer to artists on that specific platform. With the record label, I wanted to help artists even more by distributing their content to different platforms and help with the promotion, not just on YouTube, but on other streaming sites like Spotify/Apple Music/SoundCloud etc.

I am currently in talks with a couple brands to help underground artists get heard even more and make their job easier so they can focus more on their passion which is music.

What were the major obstacles when transitioning from a YouTube channel into a fully-fledged record label?

There were no real obstacles, it was more a fact of learning new things, new ways of promotion, and making people aware that our brand now offers exclusive releases, not just YouTube uploads, as well as building new connections with promoters, labels, distributors etc.

On the same note as the YouTube channel question, what do you wish you knew about the record label industry before jumping into it?

When I started the record label, I wish I knew more about the details of releases, for example when to release the track, how early to distribute it, where to look for promotion, support and just how to promote a release outside the YouTube channel.

Your growth is interminable. What’s next for Trap Party?

As of right now Trap Party brand keeps growing everyday, the label is doing great and we are very excited to see what new opportunities we will build for artists. I am currently in talks with a couple brands to help underground artists get heard even more and make their job easier so they can focus more on their passion which is music.

The post Trap Party Founder Discusses YouTube Channel, Evolution To Label + More [Interview] appeared first on FUXWITHIT.

“The track title is coming from our vision of this city – we’re inspired by Japanese music and culture a lot. Also, it’s a really unique place in comparison to other big cities in the world, that’s why ‘Tokyo’ was like a real version of Narnia for us while we were producing this track,” Stereotype reveal about their inspirations. Soft chords and a soothing melody paint this vivid imagery from the beginning, giving the track an air of splendour and magnificence. This aura is heightened in the drop, as the duo up the energy with added percussion and shiny synths to create a future bass and trap hybrid bound to make its way through sets from the likes of DROELOE and the rest of the bitbird crew, among others. Check out ‘Tokyo’ below!

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