After having dreams of being a professional ice skater being dashed by an accident, she’s found her calling through music. ‘CRY’ highlights some of this rising star’s newfound confidence and shows that she’s ready for bigger stages and heavy basslines.

‘CRY’ is a song about being at the end of something that has hurt you constantly. It’s about having no tears, words, or energy left to give to a situation. A situation that has caused you to become stronger by hurt and pain.

‘CRY’ has a heavy lyric loop (“You won’t hear me cry/ Cry”) paired with just as heavy a bassline. WHIPPED CREAM has set out in her music production career to make “music that can be felt by anyone” and this track certainly can get you in the feels, but also in the chest cavity. Its deep rumbles are accentuated by the delicate vocals, and the galloping synths sweep you off your feet. There are smoldering higher-pitched tones that tease up to the drop, where the bass throbs and gnashes its teeth. Each portion of the track is tied into these deep, throbbing basslines, which all come to a peak in the last few moments. It’s an intense ride that is over all too soon.

‘CRY’ will certainly be part of WHIPPED CREAM’s sets in the festivals she is set to appear in. This includes Coachella and Ultra, along with others yet to be announced. Check out ‘CRY’ and be sure to keep an eye out for more from WHIPPED CREAM.

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She says, “I went into making music for the love of music and the hopes to bring a new sound/energy/movement to earth that will inspire the world and change. I wanted to SHARE a body of work to the world that was so out there, showcasing as a politely written love letter XOXO to anyone who has chosen to misunderstand, devalue, or not hear me.” And not only does she inspire women all over the world, but she also utilizes her platform to bring on diverse talent with their own stores to tell. In ‘Hold Up,’ WHIPPED CREAM teams up with Jersey Club queen UNIIQU3, trans icon Big Freedia, and one of the scene’s brightest stars, Moore Kismet.

WHIPPED CREAM continues, “I feel super humbled and honored to have been able to bring such inspiring energetic creative beings onto the record. Big Freedia, Moore Kismet and Uniiqu3. Each message they left on the record, truly made the record the anthem I feel it is. In a world we are told to be ourselves constantly we sure have to fight to do just that.”

‘Hold Up’ is unapologetically in-your-face, which you could also say about each of the artists. Boasting their “black sheep” standing in the world, each artist displays a level of grandiose confidence that exudes through the track. I just couldn’t help but feel good about myself while listening to it! Packed with laser-like synths, dynamic drums, and poignant words about being unabashedly yourself, ‘Hold Up’ is the kick-in-the-ass anthem we needed for those times we could use a boost.

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Feeling a sense of creative empowerment and encouraging her listeners to never hold back and let their light shine, the track takes vocal samples from a childhood classic. Transforming into a catchy single infused with cinematic soundscapes and hard-hitting bass, these producers’ uplifting energy continues to fuel us even through the darkest of days. Releasing on the Canadian imprint known as Monstercat, WHIPPED Cream has proven once again that her ability to master several genres is one of the reasons why we cannot get enough of her production style.

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‘Time’ is different from Whipped Cream’s earlier work. Utilizing DeathByRomy’s soothing vocals, the Canadian producer opts to introduce the track in a calm, serene essence, highlighting the vocalists strengths. However, a dark undertone makes itself heard throughout, which Whipped Cream exploits at the fifty-second mark to build to an apex of tension. A brief pause launches ‘Time’ into an emotional bass drop that blurs the lines between melodic dubstep and midtempo, this time accentuating the talented artist’s ability to think outside the box with flawless production. Although not her heaviest track to date, Whipped Cream still manages to induce goosebumps in any listener through the pristine combination of poignant vocals, raw emotion and sinister bass. Don’t miss ‘Time’ below and catch the music video here.

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Released as a 1:48 track on Spotify and YouTube but extended to over three minutes for SoundCloud, ‘LUV’ might just be the source of inspiration for all up-and-coming producers in 2019. Opening with an extraterrestrial pluck peppered with snappy vocal samples, WHIPPED CREAM hastily changes the pace of the track to an old-school hip-hop beat with an emphasis on punchy percussion, while still keeping an eerie atmosphere. A brief pause in energy is met by an explosion of chaotic basses and tribal drums that sound both unorganized and cohesive at the same time. Every element of the track is meticulously designed to evoke a new emotion in listeners, and WHIPPED CREAM is somehow able to awaken a sense of security before unleashing a furious barrage of bass in such a short time span.

A highly calculated work, ‘LUV’ is the result of a creative genius who refuses to confine herself to a certain genre or style. Don’t miss it below.

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In a tweet that she claims will be deleted soon, WHIPPED CREAM cites ‘BLOOD’ as just the beginning, with hopefully two more tracks dropping by the end of the year. Whether that happens or not, listeners have plenty of heaviness to tide them over until then. ‘BLOOD’ begins in an eerie soundscape highlighted by tribal chants and cult-like rhythm. From there, the Vancouver-based producer drops a thunderous bomb on listeners driven by wickedly distorted synths and ground-shattering bass. The second half of the track is even more twisted and sinister than the first, so take this as a warning.

Check out ‘BLOOD’ below and buckle up for the journey that’s ahead!

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X&G

If you’re looking for music that pushes boundaries and challenges you as a listener, look no further than X&G. The Salt Lake City based duo pretty much define what innovation means in electronic music. Their style definitely isn’t for everyone, but those who can appreciate it are sure to be left astounded. Their latest release Persona is a ten track effort that showcases their diversity and originality. Whether it’s pitting josh pan’s vocals against drops that bend space time on ‘GRAVITY,’ exploring the dark depths of the subconscious on ‘BELONG,’ or transporting listeners around the world on the emotional roller-coaster that is ‘Montage.’

WHIPPED CREAM

Originally from Toronto, but currently holding it down on Canada’s West Coast, WHIPPED CREAM has been impressing us since she was making club bootlegs of Kanye West. Fast forward a few years and she’s become a true innovator in the electronic scene. Her collaborative EP with Hekler broke down the barriers of future and experimental bass music. Oh and if you’re looking to get your brain blown, go ahead and listen to ‘FTP’…if you dare.

Wevor Trill

Bay Area beatmaker, Wevor Trill has been heating up 2017. Kicking the year off with the Kanye sampling ‘yayzer beam,’ his music will “explode your fucking head.” The combination of clever samples, addictive loops, and snapping 808s will take you back to the days of trap’s birth (think Baauer), while his inventive progression and sound design will remind you that the future is now. His simply titled ‘drop’ just hit a million plays on Spotify, so his stock is quickly rising.

Vincent

Formerly XVII, Vincent has seen his greatest progression and releases in 2017. He capped off last year with the incredible single ‘Alpha’ and rode the intense energy throughout the year. ‘Alpha’ and ‘Jinx’ showcase his duality and keen ability to produce beautifully contrasting music. Stunning intros and breaks are juxtaposed against brutal drops with sinister sound design. But it’s not just carefully crafted bangers in his arsenal. This summer he delivered ‘Breathe,’ an emotional anthem that fuses together elements of pop, trap and future bass. With the standout remix for San Holo’s latest release and an afternoon headlining spot at HARD Summer, it won’t be long before Vincent blows up. Not bad for a kid from Winnipeg, Canada.

um..

Even their name is irregular, with lowercase styling and two dots. This off-kilter and IDGAF selection perfectly embodies their music. The experimental bass sounds are some of the wildest and weirdest your brain will ever have the chance to try to make sense off. They’ll sample anything from bird chirps to The Office and make it sound incredible. Their catalogue runs deep, but if you’re looking for a good introduction check out their latest collaborative EP a dogs tale.

thook

Coming from our hometown of Toronto, thook is a producer we hate to admit that we’ve been sleeping on until lately. His sound is as raw as DMX on dust but with an oddly cinematic aesthetic. His basslines are beyond thick and his samples and synths are Wu-Tang Clan (nothing to fuck with). His last three releases ‘8 Zone,’ ‘flight mode pt1’ and ‘Road BOI 7’ are sure to leave you an awe. If you’re tired of the same old trap shit, thook will open you up to a new world.

STFU

NYC duo STFU (Stand Tall Fists Up) first made major waves with their Slow Roast debut So Duh. The title track brought forth a sound that could only be described as space trap. A banging display of ray gun blasts, intergalactic synths, deep bass and pounding percussion. Since then they’ve become one of the most sought-after remixers with official reworks for heavy hitters like A-Trak, Anna Lunoe, Grandtheft, Keys N Krates, TWRK and more. Adding further fuel to the fire, the duo made their Diplo and Friends debut earlier this year, which is pretty much a right of passage for soon to be stars. Topping it all off they just competed in A-Trak’s brand new Beat Battle The Goldie Awards. Yeah, they’re killing it.

Ramzoid

This list is littered with Canadian kids churning out cool tracks on the regular. There may be no more cool or young than Prince Edward Island’s Ramzoid. It seems quite obvious that his upbringing in the “Garden Of The Gulf” has influenced his production style. There’s no shortage of nature-inspired sounds that add to the intensity and crisp, clean quality of his productions. After first making his mark with a “re-do” of What So Not 3 years ago, he’s since gone on to flip the likes of Jack U, Mura Masa, and most recently, Post Malone. He’s also co-founded Soda Island, so don’t be surprised when he bubbles his way to the top of lists like this.

PURGE

The faceless duo made their mark on the industry with their debut EP Feel Your Love. Their dark bass aesthetic mixes elements of future bass with raw trap. The sound is something between Flume meets Mr. Carmack with deep emotional overtones. Their sound continues to evolve and morph with each release; one may be an experimental bass effort, the next a rap influenced banger, and another a slow burning instrumental. What you can expect from everything with their name on it though is quality. With support from NEST HQ and Elysian, don’t be surprised if you see their name popping up on the regular.

Pham

Polish producer Pham’s first big splash came with an out-of-this-world remix of Flapo’s ‘Dear Neighbour,’ and we’ve been following him closely ever since. He’s become well known for crafting soundscapes like no other; carving out a cool, yet creepy space for himself. He’s dabbled in seemingly opposing genres of house and trap, producing potent remixes of Grandtheft’s ‘Easy Go’ and most recently Big Gigantic’s collab with Waka Flocka Flame. While his down-tempo chill vibes fill the room, it’s his drum design that really takes the cake. It’s the kind of clicks, clacks and thumps, that send the whole room into a tizzy. Get emotional and wild all at once with Pham’s unique brand of fire.

NOAHPLAUSE

Toronto’s own Noahplause has been killin’ it since 2015 with tracks like ‘Fire’ and ‘Runnin’. After a quiet 2016 he returned full force this year with a slew of massive tracks (‘Bus It,’ ‘Pull Up’ and ‘Throwing Money’. He can produce across genres from club, to trap and bass house, at times somehow meshing them together within the same tunes. If you’re looking for hard-hitting slappers Noahplause is your dude.

mossy.

Mossy. first graced our radar with an official remix of Lido’s ‘Dye’. The hazy and hypnotic flip wasn’t quite like anything we’ve ever heard. The balance of sheer beauty with just enough bump has come to be mossy.’s calling card. His most recent original ‘glass’ personifies this to perfection. Mesmerizing synths are layered with emotional plucks for a sound that breathes emotion and ozone. mossy.’s music will leave you with a feeling a wonderment that’s seldom experienced.

Masayoshi Iimori

Of all the names on this list, Masayoshi’s may be the most misspelled (it’s a double i), but we believe that’s soon to change. The Japanese master of mayhem continues to craft the most mind-boggling productions. Whether it be a remix of Anna Lunoe, a bootleg of King Kendrick or an original (on Trekkie Trax, or more recently TWONK and Good Enuff), this man is the future. His productions ooze with an inimitable energy a la nightcore or happy hardcore. That energy is only equalled by a bass design that can only be labeled as ballistic. If you’re in need of a new club weapon, look no further that Masayoshi Iimori’s ever growing arsenal.

Jon Casey

South Africa is becoming a hotbed for bass music and one of the country’s brightest stars is Jon Casey. He has made some serious waves with his collaborative project It Hz. and his solo work never disappoints. His Rockerfeller EP is a rugged bass heavy beast. His ability to blend worldly sounds with futuristic sound design is reminiscent of TroyBoi, but he does so all in his own way. Don’t let his straightforward name fool you, his music is anything but.

Holly

Portuguese production powerhouse, Holly just hit the 200 track mark on his SoundCloud, with the release of ‘Bruno Mars’ featuring Woolymammoth. Let that sink in for a second. That means in the 3+ year lifespan of his account, Holly has dropped more than a track a week. But we’re not just talking about pure quantity since there’s no shortage of quality in his, at times queasy, bass tunes. He’s worked with everyone from QUIX to Max Styler and even Masayoshi Iimori on ‘Pump It Up.’ And that’s not the only thing Holly and Masayoshi share. They’re both nearly impossible to categorize. While they are obviously not future bass, they are both future and bass personified. Holly has literally unleashed ‘Hellfire,’ while also showing a more subtle side with the likes of ‘I’m No Better.’ It’s safe to say Holly is one of the hottest commodities on the market, especially after winning The Beat Battle at The Goldies.

Dombresky

French fire-thrower Dombresky is taking things to the next level in 2017. After exploding onto the scene with a tempestuous 3 track EP on Fool’s Gold, he then smashed things up with a sublime remix of fellow Frenchman DJ Snake’s ‘Middle,’ adding an awe inspiring appearance on Record Record’s Filet Mignon 4. He’s upped the ante this year once again flipping DJ Snake, this time taking on ‘Ocho Cinco.’ He’s since found a home for his hard hitting and deliriously deep house track on Tchami’s CONFESSION. His latest output, ‘Hostyl’ with MALAA further showcases how dirty Dombresky can get. And if dirty is what you desire, best find yourself front and centre for the next Dombresky DJ set, as the man mixes it up with the best of em, see his set for The Cookout on SiriusXM.

Bishu

There must be something in the water in eastern Canada, either that or it’s just the Screech. Like Ramzoid, Bishu comes from the coast and brings big time tunes to the mainland. After unleashing his early work on Unborn Records, he’s since made his mark on Mad Decent, culminating in an epic episode of Diplo & Friends. His wild, “wavey” style welcomes twerking, but he’s not just about the booty, he’s got a lot of love in his productions: see his collaborative remix of ‘Alaska’ with Luca Lush or his latest ‘Skin To Skin’ with QUIX. Don’t sleep, grab your surfboard and ride the swell of songs Bishu is bringing.

Word by Colin & Oggie James.

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