At times geographic constraints can hinder the ability of two artists to successfully tackle a project together. Due to the disparity in time zones, language barriers and the struggles of communicating exclusively through digital means, the arena of collaborations can dwindle as artists toil through excessive hoops to make things work. In contrast, a mutual origin of Perth has provided…
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We’re capping off February with lucky number 13 in our Focus Five Series. This month we’ve got a wild freeform bass duo, a Quebec based house creator, a Dutch secret weapon, a multi-demensional artist and a Kiwi with a Medasin-meets-Sam Gellaitry sound. As always you don’t want to miss these five incredible talents. Get familiar below and let us know your…
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The breakaway single from WEKS debut Terp Sauce EP is off to the races. Accumulating nearly 8,000 plays on SoundCloud in 4 days, the recent shift in style for the New Hampshire-native has been met with welcoming arms and open ears. Transitioning from a more trap-based foundation, Terp Sauce embraces a more minimalistic approach, which encompasses the rigorous production of…
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With the sudden surge in the riddim subsect of the larger dubstep genre, a massive influx of talented young producers and an overwhelming increase in the overall quantity of releases available has created a precarious environment. Successful producers within the realm of bass are demanded to contrive uncanny, unique approaches or fall victim to changes in tastes and popularity that…
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Based out of San Antonio, Texas, Elijah Alarez is quickly gaining traction within the thriving underground trap scene as he continues to refine the intricacies of his style producing under the alias DYNVMIC. A massive big room remix of ‘Bottle Swervice’ by Herobust provided the initial introduction to Alvarez’s craft, while nearly a year and a half of downtime between…
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First-team, All-New Hampshire, Wes Haffner, more affectionately known by his production alias WEKS, is a sterling example of creative perseverance. The earliest rungs of his career paint a tale of minimal, trap allure, utilizing daring sections of blaring subs to build unbridled energy amid tantalizing melodies and captivating drums as depicted in ‘Terp Boi’. However, listening through WEKS catalog of…
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Having made quite the entrance with a stunning, full-album tribute to RL Grime’s ‘NOVA’ followed consecutively with a eulogy, which expertly incorporates each of the successive remixes Heimanu is poised to embark on his biggest year yet in 2019. An extensive arsenal of high-quality remixes, including an official remix for RL Grime’s ‘UCLA’ and What So Not ‘Beautiful’, the Sydney,…
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One facet of Atlanta’s bolstering underground electronic music scene, FRQ NCY has steadily accumulated a nearly cult-like following as a tribute to the depth and precision of freeform, at times intergalactic bass that he composes. As depicted in his standalone EP The Apex Effect, FRQ NCY possesses the uncanny ability to devise massive soundscapes utilizing minimal, peculiar components to craft…
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Center stage of Germany’s growing underground music scene, Krischvn’s sensational, bass-infused style of trap has created an unmistakable buzz since the release of his outlandish debut single ‘Hot Food’ nearly 3 years ago. Building upon this impetus advantageously, a full EP via Quality Goods Records and debut collaboration with Hydraulix through Never Say Die Records depict Krischvn further polishing the…
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2018 furnished massive strides in production and technical proficiency for bass devotee L.U.X. Two EPs released via Never Say Die Black Label, an official remix of Ray Volpe’s ‘Showtime’, and a release on the latest Uplink Audio compilation have depicted the voracious style of hybrid-riddim that he totes, generating the necessary momentum to catapult L.U.X into the upper echelon of…
