All of the previous works have culminated to today, as G Jones is now ready to share his sophomore album Paths with his loyal (and surely growing) fanbase. As mentioned, topping The Ineffable Truth appeared to be an insurmountable feat, but knowing that G Jones constantly strives for perfection left hope for greatness. And with Paths, greatness was achieved. It seems that so many established electronic artists have released albums in 2023, thus creating immediate hype before fizzling out in a week or two. However, Paths is sure to become a timeless record. It’s the evolution of G Jones as an artist, further demonstrating his ability to weave through a plethora of sonic territories without ever sounding disjoint.

Paths spans eleven tracks and just over 36 minutes, with G Jones surprisingly choosing to omit one of the track’s singles, ‘Daydreams,’ from the album. It’s simultaneously exactly what one could expect from the artist, yet so much more. It’s a multi-genre opus that refuses to conform to a singular genre. It’s lively and introspective. It’s chaotic and controlled. It’s G Jones.

To accompany the project, G Jones and his visual collaborators have meticulously crafted an entirely new audiovisual world: Paths Live. Promising to be an incredible experience, be sure to catch the artist on his tour in a city near you, and dive into Paths below.

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To the pleasure of many, the pair of producers announced Acid Disk Vol. 2 earlier this week, a follow-up to their 2017 project. With the announcement comes the first single, ‘On My Mind,’ which further showcases the outside-the-box mentality that the pair continuously strive towards. It’s difficult to do this one justice with words. Aside from the obvious acid touch, ‘On My Mind’ boasts influence from breakbeat, dubstep, and even jersey club, simultaneously sounding chaotic as it does controlled and complex. It’s eclectic yet grounded, and ominous yet lively. ‘On My Mind’ is truly something only G Jones and Eprom could ever create. Don’t miss it below.

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Check out G Jones & Bleep Bloop’s throwback rendition of ‘M’s’ below and don’t forget to grab your free download of the tune here!

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‘Immortal Light’ kicks thing off in high gear, bringing listeners to a hyper-realistic universe of bass as an acid-inspired introduction quickly evolves into a relentless offering of mesmerizing frequencies. Perhaps the closest thing G Jones has ever made to dubstep, the opening track is sure to sweep you off your feet. ‘Dark Artifact’ follows, keeping the intensity from the first track alive through its puzzling plucks and synths. Acting as a bridge to the latter half of the project, ‘Dream Fatigue’ sees G Jones unleash his inner trap demons to deliver a minimally wonky piece that possesses an incredibly natural flow. ‘See Right Through’ comes next, echoing parallels from ‘That Look In Your Eye’ with those distinct vocal samples without escaping any sense of uniqueness. A five-minute opus, ‘See Right Through’ is the embodiment of G Jones at his finest, combining hypnotizing melodies with euphoric sections of bass that perfectly balance each other from start to finish. As Tangential Zones comes to a close with ‘Drift (Acid Mix),’ listeners are reminded of the timeless journey of G Jones’ musical offerings.

It’s too bad Tangential Zones is out now because it will likely miss many “Best Of 2019” lists, but we can assure you that it belongs at the top. Don’t miss it below.

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Ahead of his upcoming Tangential Zones EP, G Jones has returned with another rework of the classic, this time dubbing it ‘Drift (Acid Mix).’ A follow up to ‘Dark Artifact,’ this newest mix gives us a taste of past, present and future G Jones, using key elements from the original but not dwelling on them too long before unleashing the perplexing bass madness that he has shown in recent times. Perhaps the most intense version of the track when the drop hits, ‘Drift (Acid Mix)’ is a futuristic, laser-filled ode to a timeless tune and sees G Jones further establish himself as a true musical mastermind. Combining his heavy-hitting frequencies with interlude-driven sections reminiscent of The Ineffable Truth, the talented producer has outdone himself once again.

Don’t miss ‘Drift (Acid Mix)’ below.

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‘Posse’ is a track that emphatically predates any sonic comparison of its kind. An abnormally precursive vocal sample sets into motion an unnerving echoing of steely percussion and muffled invocation, which gently dissipates as an incisive blade sets loose a mercurial torrent of low-resonating bass frequencies.

Reminisce with Nite School Klik’s ‘Posse’ below!

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The track, titled ‘Dark Artifact,’ is the first single of G Jones’ upcoming Tangential Zones EP. Exceeding expectations once again, G Jones has concocted a puzzling mind-bender, unwavering with energy from start to finish. A plucky arpeggio that is present throughout drives the vivacity of ‘Dark Artifact,’ while a plethora of added intricacies are layered to drive any listener into insanity. Impossible to classify within a genre as with most of his tracks, ‘Dark Artifact’ is a conglomeration of various acid and breakbeat influences with a modern flair.

Melodic, complex, and hard. It is not fair to have all three, but G Jones has done it again. Don’t miss ‘Dark Artifact’ below.

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Showcasing their expansive musical capabilities and artistic synchronicity, ‘Daemon Veil’ is a wicked collaborative triumph. It is truly remarkable how each artist makes himself heard as the track progresses, before the lines completely blur into sonic insanity. G Jones makes himself heard in the introduction with his ‘EVERYTHING ALL AT ONCE’ sounding chords and usual breakbeat-inspired percussion, before a commanding vocal sample gives us a taste of both producers working cohesively. When the drop hits at the eighty six second mark, listeners are thrown into a whirlwind of resonating synths and pulsating effects, where all hope of distinguishing the two musical geniuses is lost. An intricate arrangement of chaotic drums, vibrating basses and futuristic stabs shine at the forefront in the following section, displaying Eprom and G Jones’ ability to turn complete disorder into complex harmony.

‘Daemon Veil’ is the true embodiment of boundary-pushing, forward-thinking bass music. Check it out below.

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However, bass legend RL Grime has seized this opportunity to flip one of the album’s hardest tracks into a mainstage-ready heater. The highly-anticipated edit of ‘In Your Head’ has finally seen the light of day, with RL Grime proving that sometimes, less is more. The aura of the original is kept alive, from the eerie vocals to the sinister melodies, but a slight change of pace and a rework of the synth arrangement in the drops turn ‘In Your Head’ from a futuristic bass demon into a frenzy-inducing crowd-pleaser. Don’t miss the epic edit below.

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An exemplary depiction of the creative dexterity and production genius that have enabled G Jones to reign supreme at such length, ‘Ghetto Bird’ begins with a commanding ensemble of horns that give even the opening moments of the track an air of confidence and precision. A vertiginous riser pierces the air, like a frenzied anthem for a robotic warbird, as a brutal mixdown blends seamlessly into pulsing bass notes and a heightened avian refrain.

With a timestamp of nearly 6 years ago, ‘Ghetto Bird’ is a gregarious species and picturesque depiction of a collaboration that fires on all cylinders, solidifying G Jones as a sonic preference of perpetuating infamy.

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