Upholding their unmistakable left-field sound design, sfam, um.., Elle and Blake Skowron bring the squishy, squanchy and crunchy palette on their flips of ‘Basshead’, ‘Free Money, Free Times’, ‘Wumper’ and ‘Former Friends’, delivering a new edge to the project. Each track bangs in it’s own lane, but if you really want to have your brain dismantled I especially recommend the 2:32 mark in Blake Skowron’s flip of ‘Former Friends’. Samsin and aedfx. bring some Carmack-esque heat to the table with their renderings of ‘Bank On Me’ and ‘We Get Up’ that keeps us coming back for more. ‘Bandz On Me’ gets an especially savory handling from the don UZ, giving  the already radio-friendly original an elegantly executed melodic trap-rap spin. Even the dog daddy himself took the opportunity to breathe alluring new life into his track ‘Lonely Ones’ with Katya Grasso.

Great Dane took what was already a memorable album and enlisted the best talent from far and wide. The project makes an immaculate addition to ADBC Records growing catalog of superb variety and will stick with us for years to come. Take a listen or two (or eleven) and be sure to check out the impeccably diverse all-star lineup of producers that helped make this possible.

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wouldn’t worry about it constructs a harmonious display of the ingenious originality that this duo aspires to offer. Each track follows a similar storyline that frenzies into minimalist chaos and beauty. The aesthetic offered by um.. is one that keeps listeners’ consciousness absorbed in a different realm. It is often hard to fit an accurate description of the sounds used; however, they all combine for a spell-binding narrative. The path of this EP gives the three songs their own sense of a daunting nature while providing energetic sub bass and off the wall sampling.

The project presents noises you have never heard of but find it hard to turn your ear from. Dylan and Ben have always pursued embracing the weird and curate their own universal language with the music they supply. Even with all of the deranged sounds, there is still a strong underlying rhythm you will find yourself swaying to. They have managed to manifest yet another organic project revealing the inner core of what um.. is all about.

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Each remake on this EP lives up to expectation. PEEKABOO and G-Rex make a triumphant return with a VIP version of the mix, and it builds suspense from the offset before hitting you with the drops. Dirt Monkey utilises rhythmical depth on his version, whilst there is an epic energy to Eliminate’s which chops and changes rapidly.

Both TYNAN and LUZCID contribute the next couple of flips, with the former’s filling us with joy thanks to its deep, textured instrumentals. The up and coming duo um.. are given the task of rounding off the Babatunde EP, and do so with wonky beats and meandering shards of melody.

G-Rex says of this release: “For this remix EP, we went out and handpicked not only some amazing artists, but our great friends as well to remix our track. Each remix comes with their own unique style that makes the entire package cohesive and interesting.”

Listen here.

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This wild sound manipulation is on full display in um..’s latest track ‘zzz’. Grab a pair of solid headphones and blast this new one on high volume to fully appreciate the intricate details and sound engineering from the talented duo. Doing what they do best, um.. show once again that they are capable of meshing a bunch of random, odd-sounding noises together into one, cohesive, face-melting track.

Check out ‘zzz’ below and grab the free download here!

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Now, the song, appropriately named ‘This is Our Last Song’, is out, and it doesn’t seem like they were playing any sort of joke. Despite this, they’re still going to see the rest of their tour dates through till the end of the year, so if you have a chance to catch them live, do so before it’s too late.

To Ben & Dylan, if this is really the end, thank you for blessing us with your forward-thinking production style.

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It draws inspiration from multiple realms of bass. Some of the features include the nostalgic glitch sounds of Koan Sound, massive heavy-hitters like Trampa and Vorso, as well as tracks off their latest EP, for a set that will have you flailing, headbanging, and wobbling along with the crowd vibes heard throughout the hour-and-a-half mix. It’s censored, in which profanities are replaced with dog barks – which is very fitting for young puppers listening to the mix. Check out the  set below, and (re-)experience the madness that went down on the farm that night!

Given the popularity of their set, there’s a chance that they could (potentially) make a return to the farm next year! You can acquire tickets to Shambhala 2018 here.

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“Did you catch um.. last night!?”

“Um.. went IIIIIN! They were so fucking heavy.”

“One of my fave sets of the weekend was um.. at Amp.”

Along with conversations focusing on a round of Do You FUXWITHIT and rating some dogs, we got to chat with the duo on Saturday afternoon at Shambhala. We were all still getting used to the nightly routine, having only been through the first official night of the festival. We met up with Dylan & Ben, who were both beaming with energy, and eager to sit down and chat… almost like happy little puppers.

We found a nearby golf cart, got them comfortable, set up camera, and started the questionnaire.

Featured image and interview videography courtesy of Alex Pflaum. Check out more of his work in our Shambhala 2017 album!

um.. Facebook | Instagram | Twitter

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X&G

If you’re looking for music that pushes boundaries and challenges you as a listener, look no further than X&G. The Salt Lake City based duo pretty much define what innovation means in electronic music. Their style definitely isn’t for everyone, but those who can appreciate it are sure to be left astounded. Their latest release Persona is a ten track effort that showcases their diversity and originality. Whether it’s pitting josh pan’s vocals against drops that bend space time on ‘GRAVITY,’ exploring the dark depths of the subconscious on ‘BELONG,’ or transporting listeners around the world on the emotional roller-coaster that is ‘Montage.’

WHIPPED CREAM

Originally from Toronto, but currently holding it down on Canada’s West Coast, WHIPPED CREAM has been impressing us since she was making club bootlegs of Kanye West. Fast forward a few years and she’s become a true innovator in the electronic scene. Her collaborative EP with Hekler broke down the barriers of future and experimental bass music. Oh and if you’re looking to get your brain blown, go ahead and listen to ‘FTP’…if you dare.

Wevor Trill

Bay Area beatmaker, Wevor Trill has been heating up 2017. Kicking the year off with the Kanye sampling ‘yayzer beam,’ his music will “explode your fucking head.” The combination of clever samples, addictive loops, and snapping 808s will take you back to the days of trap’s birth (think Baauer), while his inventive progression and sound design will remind you that the future is now. His simply titled ‘drop’ just hit a million plays on Spotify, so his stock is quickly rising.

Vincent

Formerly XVII, Vincent has seen his greatest progression and releases in 2017. He capped off last year with the incredible single ‘Alpha’ and rode the intense energy throughout the year. ‘Alpha’ and ‘Jinx’ showcase his duality and keen ability to produce beautifully contrasting music. Stunning intros and breaks are juxtaposed against brutal drops with sinister sound design. But it’s not just carefully crafted bangers in his arsenal. This summer he delivered ‘Breathe,’ an emotional anthem that fuses together elements of pop, trap and future bass. With the standout remix for San Holo’s latest release and an afternoon headlining spot at HARD Summer, it won’t be long before Vincent blows up. Not bad for a kid from Winnipeg, Canada.

um..

Even their name is irregular, with lowercase styling and two dots. This off-kilter and IDGAF selection perfectly embodies their music. The experimental bass sounds are some of the wildest and weirdest your brain will ever have the chance to try to make sense off. They’ll sample anything from bird chirps to The Office and make it sound incredible. Their catalogue runs deep, but if you’re looking for a good introduction check out their latest collaborative EP a dogs tale.

thook

Coming from our hometown of Toronto, thook is a producer we hate to admit that we’ve been sleeping on until lately. His sound is as raw as DMX on dust but with an oddly cinematic aesthetic. His basslines are beyond thick and his samples and synths are Wu-Tang Clan (nothing to fuck with). His last three releases ‘8 Zone,’ ‘flight mode pt1’ and ‘Road BOI 7’ are sure to leave you an awe. If you’re tired of the same old trap shit, thook will open you up to a new world.

STFU

NYC duo STFU (Stand Tall Fists Up) first made major waves with their Slow Roast debut So Duh. The title track brought forth a sound that could only be described as space trap. A banging display of ray gun blasts, intergalactic synths, deep bass and pounding percussion. Since then they’ve become one of the most sought-after remixers with official reworks for heavy hitters like A-Trak, Anna Lunoe, Grandtheft, Keys N Krates, TWRK and more. Adding further fuel to the fire, the duo made their Diplo and Friends debut earlier this year, which is pretty much a right of passage for soon to be stars. Topping it all off they just competed in A-Trak’s brand new Beat Battle The Goldie Awards. Yeah, they’re killing it.

Ramzoid

This list is littered with Canadian kids churning out cool tracks on the regular. There may be no more cool or young than Prince Edward Island’s Ramzoid. It seems quite obvious that his upbringing in the “Garden Of The Gulf” has influenced his production style. There’s no shortage of nature-inspired sounds that add to the intensity and crisp, clean quality of his productions. After first making his mark with a “re-do” of What So Not 3 years ago, he’s since gone on to flip the likes of Jack U, Mura Masa, and most recently, Post Malone. He’s also co-founded Soda Island, so don’t be surprised when he bubbles his way to the top of lists like this.

PURGE

The faceless duo made their mark on the industry with their debut EP Feel Your Love. Their dark bass aesthetic mixes elements of future bass with raw trap. The sound is something between Flume meets Mr. Carmack with deep emotional overtones. Their sound continues to evolve and morph with each release; one may be an experimental bass effort, the next a rap influenced banger, and another a slow burning instrumental. What you can expect from everything with their name on it though is quality. With support from NEST HQ and Elysian, don’t be surprised if you see their name popping up on the regular.

Pham

Polish producer Pham’s first big splash came with an out-of-this-world remix of Flapo’s ‘Dear Neighbour,’ and we’ve been following him closely ever since. He’s become well known for crafting soundscapes like no other; carving out a cool, yet creepy space for himself. He’s dabbled in seemingly opposing genres of house and trap, producing potent remixes of Grandtheft’s ‘Easy Go’ and most recently Big Gigantic’s collab with Waka Flocka Flame. While his down-tempo chill vibes fill the room, it’s his drum design that really takes the cake. It’s the kind of clicks, clacks and thumps, that send the whole room into a tizzy. Get emotional and wild all at once with Pham’s unique brand of fire.

NOAHPLAUSE

Toronto’s own Noahplause has been killin’ it since 2015 with tracks like ‘Fire’ and ‘Runnin’. After a quiet 2016 he returned full force this year with a slew of massive tracks (‘Bus It,’ ‘Pull Up’ and ‘Throwing Money’. He can produce across genres from club, to trap and bass house, at times somehow meshing them together within the same tunes. If you’re looking for hard-hitting slappers Noahplause is your dude.

mossy.

Mossy. first graced our radar with an official remix of Lido’s ‘Dye’. The hazy and hypnotic flip wasn’t quite like anything we’ve ever heard. The balance of sheer beauty with just enough bump has come to be mossy.’s calling card. His most recent original ‘glass’ personifies this to perfection. Mesmerizing synths are layered with emotional plucks for a sound that breathes emotion and ozone. mossy.’s music will leave you with a feeling a wonderment that’s seldom experienced.

Masayoshi Iimori

Of all the names on this list, Masayoshi’s may be the most misspelled (it’s a double i), but we believe that’s soon to change. The Japanese master of mayhem continues to craft the most mind-boggling productions. Whether it be a remix of Anna Lunoe, a bootleg of King Kendrick or an original (on Trekkie Trax, or more recently TWONK and Good Enuff), this man is the future. His productions ooze with an inimitable energy a la nightcore or happy hardcore. That energy is only equalled by a bass design that can only be labeled as ballistic. If you’re in need of a new club weapon, look no further that Masayoshi Iimori’s ever growing arsenal.

Jon Casey

South Africa is becoming a hotbed for bass music and one of the country’s brightest stars is Jon Casey. He has made some serious waves with his collaborative project It Hz. and his solo work never disappoints. His Rockerfeller EP is a rugged bass heavy beast. His ability to blend worldly sounds with futuristic sound design is reminiscent of TroyBoi, but he does so all in his own way. Don’t let his straightforward name fool you, his music is anything but.

Holly

Portuguese production powerhouse, Holly just hit the 200 track mark on his SoundCloud, with the release of ‘Bruno Mars’ featuring Woolymammoth. Let that sink in for a second. That means in the 3+ year lifespan of his account, Holly has dropped more than a track a week. But we’re not just talking about pure quantity since there’s no shortage of quality in his, at times queasy, bass tunes. He’s worked with everyone from QUIX to Max Styler and even Masayoshi Iimori on ‘Pump It Up.’ And that’s not the only thing Holly and Masayoshi share. They’re both nearly impossible to categorize. While they are obviously not future bass, they are both future and bass personified. Holly has literally unleashed ‘Hellfire,’ while also showing a more subtle side with the likes of ‘I’m No Better.’ It’s safe to say Holly is one of the hottest commodities on the market, especially after winning The Beat Battle at The Goldies.

Dombresky

French fire-thrower Dombresky is taking things to the next level in 2017. After exploding onto the scene with a tempestuous 3 track EP on Fool’s Gold, he then smashed things up with a sublime remix of fellow Frenchman DJ Snake’s ‘Middle,’ adding an awe inspiring appearance on Record Record’s Filet Mignon 4. He’s upped the ante this year once again flipping DJ Snake, this time taking on ‘Ocho Cinco.’ He’s since found a home for his hard hitting and deliriously deep house track on Tchami’s CONFESSION. His latest output, ‘Hostyl’ with MALAA further showcases how dirty Dombresky can get. And if dirty is what you desire, best find yourself front and centre for the next Dombresky DJ set, as the man mixes it up with the best of em, see his set for The Cookout on SiriusXM.

Bishu

There must be something in the water in eastern Canada, either that or it’s just the Screech. Like Ramzoid, Bishu comes from the coast and brings big time tunes to the mainland. After unleashing his early work on Unborn Records, he’s since made his mark on Mad Decent, culminating in an epic episode of Diplo & Friends. His wild, “wavey” style welcomes twerking, but he’s not just about the booty, he’s got a lot of love in his productions: see his collaborative remix of ‘Alaska’ with Luca Lush or his latest ‘Skin To Skin’ with QUIX. Don’t sleep, grab your surfboard and ride the swell of songs Bishu is bringing.

Word by Colin & Oggie James.

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